It was both a hobby and an obsession. I could spend hours digging through musty old bins, crates, and boxes of records at resale shops and flea markets. I amassed quite a collection. I thought that it was just because it allowed me to buy lots of music on the cheap in a time of my life when I was solely dependent on my allowance. Somewhere around college, which coincided with the rise of Napster and digital music, I decided to get rid of my turntable and most of my records (heartbreaking, I know). I didn’t think that I was going to need them again. If you had any idea of the amount of music I have now, you probably wouldn’t think that I need anything additional either.
A few months back, I got what was left of my vinyl from my parents’ house and started framing them as artwork. I have always loved the album art and the way it connections with the music. They look amazing, but as I sifted through them, I realized just how much I longed to listen to each album. The Cure’s Head on the Door was taunting me from its frame. I hadn’t realized how much of a ritual it was. I missed shopping and collecting.
Without fail, I visited a local store and was sucked right back in. I have also been buying stuff on eBay (If anyone is out there with random Smiths, Cure, R.E.M., or Depeche Mode albums hidden in a box somewhere, call me!). Then, I bought myself a new turntable, which arrived a few nights ago. When I got the first record on (a safety even, the Grease soundtrack), it was like a revelation. I found my way back. A time each night of solitude to worship to the gods of music genesis at the audiophile alter.
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