A few months back, I got what was left of my vinyl from my parents’ house and started framing them as artwork. I have always loved the album art and the way it connections with the music. They look amazing, but as I sifted through them, I realized just how much I longed to listen to each album. The Cure’s Head on the Door was taunting me from its frame. I hadn’t realized how much of a ritual it was. I missed shopping and collecting. Without fail, I visited a local store and was sucked right back in. I have also been buying stuff on eBay (If anyone is out there with random Smiths, Cure, R.E.M., or Depeche Mode albums hidden in a box somewhere, call me!). Then, I bought myself a new turntable, which arrived a few nights ago. When I got the first record on (a safety even, the Grease soundtrack), it was like a revelation. I found my way back. A time each night of solitude to worship to the gods of music genesis at the audiophile alter.
Thursday, September 22, 2011
The Lost Art of Vinyl
A few months back, I got what was left of my vinyl from my parents’ house and started framing them as artwork. I have always loved the album art and the way it connections with the music. They look amazing, but as I sifted through them, I realized just how much I longed to listen to each album. The Cure’s Head on the Door was taunting me from its frame. I hadn’t realized how much of a ritual it was. I missed shopping and collecting. Without fail, I visited a local store and was sucked right back in. I have also been buying stuff on eBay (If anyone is out there with random Smiths, Cure, R.E.M., or Depeche Mode albums hidden in a box somewhere, call me!). Then, I bought myself a new turntable, which arrived a few nights ago. When I got the first record on (a safety even, the Grease soundtrack), it was like a revelation. I found my way back. A time each night of solitude to worship to the gods of music genesis at the audiophile alter.
Labels:
Annieland,
Musicology
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